Contact and Affiliations
- E-Mail:
- andreas.muenzmay@uni-paderborn.de
- ORCID:
- 0000-0002-8373-4055
- Web:
- Homepage
- Social Media:
- Office Address:
-
Hornsche Str. 39
32756 Detmold - Room:
- HFM1 2.06
- Office hours:
Wed. 3:00-4:00 pm. Please register in advance by e-mail. You can find me in the office and/or in the Zoom room “Sprechstunde Münzmay”.
Telephone: 05231-975-672
Telephone (secretary’s office): 05231-975-667
- E-Mail:
- andreas.muenzmay@uni-paderborn.de
- ORCID:
- 0000-0002-8373-4055
- Web:
- Homepage
- Social Media:
- Office Address:
-
Hornsche Str. 39
32756 Detmold - Room:
- HFM1 2.06
- Office hours:
Wed. 3:00-4:00 pm. Please register in advance by e-mail. You can find me in the office and/or in the Zoom room “Sprechstunde Münzmay”.
Telephone: 05231-975-672
Telephone (secretary’s office): 05231-975-667
Was bewegen wir gemeinsam mit akademischer Forschung und Lehre? – Herzliche Einladung zur Diskussion!
About Andreas Münzmay
Andreas Münzmay is Professor of Musicology / Digital Music Edition / Digital Humanities at the University of Paderborn (Faculty of Arts and Humanities), scientific director of the Centre for Music – Edition – Media (ZenMEM) and co-spokesperson of the Digital Humanities profile area at the University of Paderborn. As co-spokesperson in the NFDI4Culture consortium, he heads the Paderborn team of NFDI4Culture's "Cultural Research Data Academy" and, as an academy professor, is project co-leader in the long-term project "Beethoven's 365体育_足球比分网¥投注直播官网" of the Mainz Academy of Sciences and Literature.
Curriculum Vitae
2008 - 2016: CV
Andreas Münzmay is Professor of Musicology / Digital Music Edition / Digital Humanities at the University of Paderborn (Faculty of Arts and Humanities), scientific director of the Centre for Music – Edition – Media (ZenMEM) and co-spokesperson of the Digital Humanities profile area at the University of Paderborn. As co-spokesperson in the NFDI4Culture consortium, he heads the Paderborn team of NFDI4Culture's "Cultural Research Data Academy" and, as an academy professor, is project leader in the long-term project "Beethoven's 365体育_足球比分网¥投注直播官网" of the Mainz Academy of Sciences and Literature.
Münzmay Music, Romance languages and literature, jazz trombone, and musicology in Stuttgart, received his doctorate from the Berlin University of the Arts (UdK) in 2008 with a thesis on French-German cultural transfers in 19th-century music theater, worked as a musician, music school teacher, choir director, and high school teacher, and held teaching positions in musicology at the Stuttgart University of Music, the UdK Berlin, and the University of Potsdam. From 2009 to 2014, he worked at the Universities of Bayreuth and Frankfurt am Main as a scientific editor in the edition project "OPERA - Spectrum of European Music Theater" of the Academy of Sciences and Literature Mainz, and then as a reasearch associate at the Institute of Musicology at Goethe University Frankfurt until 2016. He received the Hermann Abert Prize of the Gesellschaft für Musikforschung for his scientific achievements in 2012.
2012: Hermann-Abert-Preis der Gesellschaft für Musikforschung
Research
Research Interests
European Music Theatre and Vocal Music (17th–20th c.)
Music in the context of theatre media (music dramaturgy, libretto, stage music, vaudeville, music and dance)
Digital Scholarly Editing and Digital Humanities
Musical Perfomance and Recordings
Media History and Cultural History of Improvisation and Jazz
Cultural Transfer
Publications
Latest Publications
A. Münzmay, in: J.-C. Yon, C. Reynaud (Eds.), : : Auber et Scribe, un patrimoine lyrique vivant. Le Concert à la cour (1824). Actéon (1836), Hermann Editeurs, Paris, 2024, pp. 101–110.
L. Fr?mmel, T. Bachmann, A. Plaksin, A. Münzmay, in: Proceedings of the 11th International Conference on Digital Libraries for Musicology, ACM, 2024.
T. Bachmann, L. Fr?mmel, A. Münzmay, OPEN FAUST Preview (Dataset), RADAR4Culture, 2024.
A. Münzmay, F. Rovelli, E. Novara, Abschlussbericht: Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle, 2024.
J. Kepper, A. Münzmay, in: DHd2023: Open Humanities, Open Culture, 2023.
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Teaching
Current Courses
- Neue und Zeitgen?ssische Musik für Gitarre ? Repertoire, Politik, Protagonist*innen
- Musik und Digitale Medien (Ringvorlesung mit Seminar)
- Mozart, Telemann, Stockhausen und Co. ? Kodierung und Performance nichtlinearer Musik (Teil 2)
- Geschichte und Formen des Musiktheaters
Scientific Engagement
2024 | Aktuelle Gremienmitgliedschaften
Gech?ftsführender Leiter ZenMEM
NFDI4Culture Steering Board und Co-Spokespersons Comittee
Ko-Sprecher Profilbereich Digital Humanities der Universit?t Paderborn
Fakult?tsrat
Vorsitz Prüfungsausschuss BA/MA Musikwissenschaft der Fakult?t für Kulturwissenschaften, Universit?t Paderborn
Prüfungsausschuss BA/MA Popul?re Musik und Medien der Fakult?t für Kulturwissenschaften, Universit?t Paderborn
Promotionsausschuss der HfM Detmold
Leitung Redaktion der Dissertationsmeldestelle der Gesellschaft für Musikforschung / musiconn
Programmkomitee Tagungen des Verbands Digital Humanities im deutschsprachigen Raum (DHd)
Wissenschaftlicher Beirat des Projekts Corpus Musicae Ottomanicae (CMO)